This paper features on pp. 33-67 of IGNCA’s journal of arts, KALAKALPA, Basant Panchami 2019, vol.III, No.2. The Editor-in-Chief, Dr. Sachchidanand Joshi, Member Secretary of the IGNCA, writes in his editorial, “Professor Pradip Bhattacharya is an acclaimed scholar on Mahabharata…Professor Bhattacharya’s contribution is stupendous.” The paper has been published with 3 colour plates of photographs I took of frescos on the walls of the Silver Pagoda in Phnom Penh, 3.65 metres high, illustrating the episodes contained in these 2 manuscripts of Jaimini which retell unknown episodes from the Ramayana in the Ashramavasika Parva of the Mahabharata.




Other than the sons of Bhima, Arjuna and the Draupadeyas Vyasa does not mention names of Pandava progeny. In Jaimini’s Ashvamedha parva a new character is introduced: Bhima’s grandson Meghavarna, the son of Ghatotkacha. But there is yet another son of Ghatotkacha whose story is told in the Skanda Purana, Kumarika Khanda, chapters 59-66 by Suta Ugrashrava to Shaunaka and other sages performing a great sacrificial ritual in the forest of Naimisha. Suta narrates what he had heard from Dvaipayana (island-born) Vyasa.